Artist Statement- The Plant Creature Paintings of Richard Metz 2017-18
There is so much that is unknown and mysterious in the natural world. My intention with Plant Creature paintings is to create expressive works that embody what I imagine might be the spirits or personalities of the plants and trees and the forests and fields that I love to wander and explore.
The watercolor/gouache paintings begin as drawings of magnified observation of flowers and buds, and allowing these shapes to suggest faces. I love the process of closely observing these plants through a magnifying glass. There is a sense of discovering a new world that is exciting and so suggestive. It is easy to see/imagine strange faces and characters in the natural shapes.
While these are obviously constructed images, for me, these works express my connection with the natural world. I also pay homage to the works of the Iroquois mask makers who saw the spirits of the forest, Jean Dubuffet and his interest in the art of children and the insane, and Theodore Geisel, a master of hybrid creations.
The works spring from a sense of deep ecology. I have the greatest respect, admiration, and awe for the wild areas of the natural world. These paintings are constructed with the awareness that our environment is under severe threat, from carbon in the atmosphere, deforestation, and ocean acidification and warming. I hope viewers of my work feel a curiosity to travel further into the natural world, and perhaps an urge to protect it.
Artist Statement - the Tree Creature works of Richard Metz 2017-18
As an environmental artist, I have been creating traditional and non-traditional works for 20 years. During my graduate work at Maine college of Art I began to explore my feeling that paintings of nature were not enough. I wanted to get out of the studio, and interact with the natural world. I wanted my works to have a sense of place. I researched many techniques and materials, many from pre-modern times, and came up with an idea. I would use natural non-toxic pigments and eggs to create ephemeral installations of creatures based on myths and stories of each particular area. I wanted my works to have a dialog with nature, so they needed to be in a real natural setting. My belief is that the natural world is not only exceptionally wonderful and sacred, but under serious threat. I wanted people to be drawn out into nature to see the work, and establish a greater connection to woodland areas. But this idea has seemed strange and subversive to many, both in the art community and in the environmental community, because it crosses over lines that have been drawn. I have been fortunate to have had some adventurous residency directors and boards select my work each summer for the last six years. From nearby Abington, Pa, to Nova Scotia, from Washington State and South Carolina, I have been able to work in both Art-Woods, and wooded areas of art centers to create installations of Painted Tree Creatures. I have researched each area for the nature myths, stories, and legends that might be told in the woods there. One reason for creating ephemeral artworks is to ‘let nature win’. This concept is a synthesis of my work as an environmentalist, artist, and storyteller. Much of the process of making art is a battle with the elements to preserve the artwork forever. I decided with this ongoing project to create artwork which lives in harmony with the life and death cycles of the natural world. The actual paint is made from eggs mixed non-toxic natural pigments, spices like Turmeric, Paprika, and Saffron, plants like Indigo, Madder, and Sandalwood, and rocks like Calcite, charcoal, ochres, ores, and earths. The paintings will slowly and gracefully fade away in two to three years, leaving the natural world exactly the same, with only photographs and memories to savor. Art making can be part of a sustainable process that does not include toxic materials that will harm the earth. These works will also not contribute to the accumulation of stuff in our society. In my research, it has been so exciting to discover the similarities and differences between all the forest/nature -cultures. This history includes Native Americans artists, African tribal works, and Celtic and Scottish imagery. But I have also looked at the seafaring cultures on both coasts, and woodland myths from logging camps to Appalachia. My own style at times, veers toward the hybrid creatures of Dr. Suess, Greek mythology, and other crypto-zoological animals.
Richard Metz 910 Bent Lane Erdenheim, PA 19038 firstname.lastname@example.org www. mistermetz.com 2158343850
Hamilton Street Gallery, Boundbrook, NJ 2017, Group show, Print
Confluence Gallery and Art Center, Twisp, WA 2017, “Walking on the Wild Edge”, group show, prints
Media Art Center, Media, PA 2017, Fresh Hues group painting show
Contemporary Art International, Acton, MA 2016, Solo Show, prints and paintings
Jed Williams Gallery, Phila. PA 2015, Group show, Prints Ghost Gallery, Seattle WA. 2015-16, Group show, prints
Allens Lane Art Center, Phila. PA 2014, Solo Show, prints Maine College of Art, Portland, ME 2013, group show, Process and Place exhibition, painting and print
O.U.R. Gallery, Philadelphia, PA 2011, three person show, paintings and sculpture
William Penn Foundation, Phila. PA 2010-2012, Artists We Admire, group show, paintings and prints
Nichols Berg Gallery, Phila. PA 2010, four person show, prints,
Square Peg Artery and Salvage, Phila. PA 2008, one person show, prints and drawings
Curious Matter, Jersey City, NJ 2008, Between Worlds, group show
Tyler School of Art Alumni Painting show, IceBox Gallery Phila. PA 2007, Suspended Desire, Installation of suits and dresses, and performance
Live Arts Fringe Festival, Phila, PA 2006, Free Trade Parade, creative director of 15 suited musical performers/dancers 2003, The Parade of Creatures, creative director of 20 costumed musical performers
Maine College of Art, Portland, ME 2006, Suspended Desire, Installation of suits and dresses, and performance
Art in City Hall, Philadelphia, PA 2006, 25th anniversary show, 2005, Contemporary masks, 2003, Fantastic Garments
The Traveling Show, Chelsea, New York City, NY 2004, Wandering show of 15 performers in my suits, in and out of Chelsea galleries
Painted Bride Art Center, Phila. PA 2004, Used Show, installation of seven suits in a group show
Denise Bibro Fine Art, New York City, NY 2004, Manifestations III: Form and Function group show
Borowsky Gallery, Philadelphia, PA 2001, Altered Egos group show, installation and performance, “How do you know that you know”.
Contemporary Art International, Acton, MA 2016, 10 Painted Trees in wooded area
Rensing Center, Pickens, SC 2015, 9 painted trees in wooded area
Center for Contemporary Art, Carkeek Park, Seattle, WA 2013, group show and artist residency, Heaven and Earth 5 show, 8 painted trees
Maine College of Art Residency in New Edinburgh, Nova Scotia 2012, 25 tree paintings in wooded area
Port Angeles Fine Art Center, Port Angeles, WA 2011, Art Outside, 10 painted trees in the Webster Woods
Abington Art Center, Abington, PA 2010-16, Painted Tree Spirits, stipend to create 12 painted tree creatures in Sculpture Park 2010. Two paintings each year since.
Masters of Fine Arts, Visual Art 2000 Maine College of Art, Portland, ME
Bachelor of Fine Arts, Painting 1980 Tyler School of Art, Philadelphia, PA
Richard Metz is a Philadelphia based environmentally focused artist. In addition to making prints and paintings based on various flora, he also works in forests, painting directly on trees with non toxic natural pigments. His work seeks to connect viewers to the natural world in a playful, engaging way.